Cabo Robert Wisehart 9780989404402 Books
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In a cruel and deadly night raid, kidnappers snatch a Mexican real estate baron's beautiful young wife, load her aboard a small boat and disappear offshore. Captain Valencia, the handsome police official who catches the case, recruits his self-effacing American friend, sometime private detective Ethan Cruickshank, to help get her back. Luck is on the investigators' side as, among the possible witnesses to the kidnappers' escape, they meet a couple of attractive and self-reliant women from California with backgrounds that make them the perfect partners in a noble quest northward across the rugged and beautiful tropical desert in search of the victim and her captors. Following a trail of perplexing clues, sifting truth from deceptive appearance, the odd quartet travels from idyllic Los Cabos, scene of the crime, to La Paz on the turquois Sea of Cortez, to a dusty rural outpost where they are forced to think faster and shoot straighter than their enemies. In Cruikshank, veteran author Robert Wisehart creates a thoroughly human protagonist who laughs at himself, his foibles, and the absurdities of the world around him, even as he tests himself against deadly odds in a quest to do what's right—if he can only figure out what that is. In Cabo, Wisehart delivers a smart, absorbing thriller as arid-yet-exhilarating as the deserts of Baja California Sur.
Cabo Robert Wisehart 9780989404402 Books
There is a tendency in contemporary mysteries to delve into as much evil as can possibly be spilled on the written page. Obviously, since so many writers take part in writing from the darkest corners, there must be an audience for it. Thankfully, Robert Wisehart's Cabo doesn't go there. Cabo has its hard edges and black eyes; there's plenty of tough talk and explosive action. Still, it is a linear story without incessant returns to jungle battlefields, screaming villagers, and bombs bursting in nightmares. Ethan Cruikshank, the reluctant hero of this story, does have his troubled past, and his nightmares; but they are images of a scarred and traumatic childhood and not visitations from gothic demons, drug-induced delusions or alcoholic train wrecks.Cruikshank and wife are seeking an expatriate lifestyle at the tip of Mexico's Baja Peninsula and he has established an association, if not a friendship, with a local police captain named Valencia. When one of Mexico's richest men has his wife snatched from his mansion and his security killed, the Mexican state and federal officials quickly sweep in to take up the chase and claim the publicity. Valencia, a mere local, is summarily cast aside. He seeks Cruikshank's help in finding the missing wife and restoring his pride. Two women, private investigators on vacation from California, witnessed part of the abduction and one of the needless killings that took place. They throw in with Cruikshank and Valencia and the foursome strike out on a dangerous mission.
Throughout the story, Wisehart keeps the dialogue balanced with the descriptions of his inner thoughts and his scene-setting narrative. It is his skillful storytelling that moves this adventure along, not the transparent tools of shock and disgust. Cabo is not only an entertaining read; it is a platform for a continuing series I hope soon develops.
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Cabo Robert Wisehart 9780989404402 Books Reviews
Dare I link new-to-the-genre Robert Wisehart with the mystery giant, Robert B. Parker, in a lead sentence? Yes, I dare--with a caveat.
Recently I read Parker's first Spenser novel, The Godwulf Manuscript. It is, in the parlance of the day, a "good read," but it isn't as good as Parker's later Spenser novels, say, Hugger Mugger or Back Story. When I wondered why, the simplest answer was the best Spenser has no foil in that first book. There's no Susan Silverman to challenge his motives, nor a Hawk to give his reasoning a reality check.
No one but a graduate student writing a dissertation on Parker would count the lines, but most likely two-thirds of those in The Godwulf Manuscript are devoted to first person narrative, one third to dialogue. In later Parker works, the ratio is nearly reversed.
Two-to-one is probably the same ratio in Robert Wisehart's Cabo.
The comparison to Parker, though, isn't idle. Wisehart's retired-but-not-really private investigator, Ethan Cruickshank, is in the mold of a Spenser tough, wise-cracking, decisive, but sensitive to human foibles--his own and others'. When he straps on his Colt you know he'll use it if he has to. He's big and more graceful than clumsy, will exert himself for a client or a friend when he commits himself, and loyalty is his middle name.
In this novel (there will be more; I smell a series brewing) Ethan is invited to help a Captain Valencia of the Cabo San Lucas police rescue the wife of a local capitalist who's richer than Midas. She's been kidnapped from their home in an action that leaves no doubt the kidnappers mean business they kill four persons as they take her.
Captain Valencia is a man who weighs his decisions carefully, but when he's made up his mind he moves ahead like a hungry mouser turned loose in a rodent-ridden granary. He and Ethan have a respectful but not completely chummy relationship. The men find allies in two women who witnessed the last killing to take place during the kidnapping. Like Ethan, they're PIs, working in California but vacationing in Cabo, and they're incensed because the killing of the last victim, whom they knew and rather liked, was totally senseless.
The four are outnumbered by kidnappers, but not outmaneuvered nor out-thought, and eventually they rescue the woman.
(And if you think I gave away the ending, you're wrong. The rescue is but another beginning.)
Cabo, though, suffers from the same lack of economy that The Godwulf Manuscript does. Sustaining first person narrative is tough. When you get the narrator's reaction to the vicissitudes of the chase, it's generally internal monologue, and for some reason that doesn't satisfy the reader as does snappy dialogue with a wise and mindful Susan Silverman or a stone realist like Hawk.
Don't get me wrong; Cabo is a damned good story, well worth the reading. The pace is brisk, the twists and turns in the plot are numerous and plausible, the denouement won't waste your time. I'm betting that in subsequent Cruickshank novels Wisehart will find a ploy as efficient and perky as Spenser's talks with his true love, Susan, or his blood brother, Hawk.
You wouldn't mind bending an elbow with Cruickshank. He has a wife, Dina, you'll like, too, and a dog, Brewster, who matches Spenser's Pearl in lovable quirkiness. And you will kick yourself if you didn't read the beginning of the series when it was fresh.
I can not wait to read the follow up book. This one was great fun to read, full of surprises.
Good storyline and pace. I await the next offering from Mr. Wisehart. Makes me want to take a trip to the Mexican Coast.
Being a frequent visitor to Cabo San Lucas was the reason I bought the book. Descriptions of the environment are accurate. The plot is pretty straightforward, but lots of surprises especially at the end. (I am not saying more.)
To anyone who enjoys detective fiction in a rather exotic local, this book would be a pleasant reading experience. Good characterization with surprising twists and turns. Looking forward to the author's other books in the series.
Great characters, energized plot and good dialogue added up to an entertaining read. Wisehart writes engagingly about his people and places and definitely leaves this reader wanting more.
I have only read Robert Wisehart's historical novels in the past, so this fast paced thriller set in Cabo San Lucas, Mexico, is a new departure. Ethan Cruickshank is a psychologically damaged private eye, and this helps to give the story an interesting dimension. I thought the plot was a bit linear at first, with everything happening just so, but there was soon a lot more conflict, and at least one unexpected twist towards the end. I hope we see more of Ethan Cruickshank and of Robert Wisehart's Cabo stories.
There is a tendency in contemporary mysteries to delve into as much evil as can possibly be spilled on the written page. Obviously, since so many writers take part in writing from the darkest corners, there must be an audience for it. Thankfully, Robert Wisehart's Cabo doesn't go there. Cabo has its hard edges and black eyes; there's plenty of tough talk and explosive action. Still, it is a linear story without incessant returns to jungle battlefields, screaming villagers, and bombs bursting in nightmares. Ethan Cruikshank, the reluctant hero of this story, does have his troubled past, and his nightmares; but they are images of a scarred and traumatic childhood and not visitations from gothic demons, drug-induced delusions or alcoholic train wrecks.
Cruikshank and wife are seeking an expatriate lifestyle at the tip of Mexico's Baja Peninsula and he has established an association, if not a friendship, with a local police captain named Valencia. When one of Mexico's richest men has his wife snatched from his mansion and his security killed, the Mexican state and federal officials quickly sweep in to take up the chase and claim the publicity. Valencia, a mere local, is summarily cast aside. He seeks Cruikshank's help in finding the missing wife and restoring his pride. Two women, private investigators on vacation from California, witnessed part of the abduction and one of the needless killings that took place. They throw in with Cruikshank and Valencia and the foursome strike out on a dangerous mission.
Throughout the story, Wisehart keeps the dialogue balanced with the descriptions of his inner thoughts and his scene-setting narrative. It is his skillful storytelling that moves this adventure along, not the transparent tools of shock and disgust. Cabo is not only an entertaining read; it is a platform for a continuing series I hope soon develops.
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